Its not that I dont like it because Ew, poetry, but rather because I just dont understand a majority of it. Can you tell us how you composed the poem Declaration? Its actually the last poem in your book. I love chicken. / The wood was never spent. In Wade in the Water, the first section of Eternity begins It is as if I can almost still remember and closes with trees Ageless, constant, / Growing down into earth and up into history. Any thoughts on the challenges and possibilities of processing (or traversing) time through language? But before we get to the analysis, lets briefly summarise the story of Adam and Eve in the Garden of Eden. On the sixth day of Creation, God created man in the form of Adam, moulding him from the dust of the ground (Genesis 2:7), breathing the breath of life into Adams nostrils. Curtis Fox: This is Poetry Off The Shelf from The Poetry Foundation. I struggle a lot with interpreting metaphorical words often used by poets and underlying meanings behind small phrases. I was blown away by how it seemed to capture the mood of our historical moment. Moreover, my sense of the nearness of the pastthe way that our public grappling with race and racial prejudice has begun to feel so much like a throwback from an earlier timeignited the urgent wish to hear something in an earlier periods voices that might be useful at this moment in the 21st Century.The title Wade in the Water comes from an African American spiritual, which seems apt for a collection that thinks so much about faith, race, and history (especially the Civil War), and for a poet whose previous book took its name from a song, too. I think now, of course, I feel, and many of us feel differently about that. Everyone I knew was living Aside from that, I like your analysis of the poem. And maybe thats me speaking as someone in mid life, someone whos the parent of kids and has fears about the future. Unlike a lot of other poets I was looking at, she has a certain flavor that just really fit to my taste. What about you? Tracy K. Smith served as U.S. poet laureate from 2017-19 and teaches at Princeton University. The gesture of writing an appeal and appending ones name to it parallels her lyric recuperations, because both replace capitalisms terms (where individuals are parts of a vast machine dedicated to profit) with the changeable conditions of authentic selfhood, where every breath matters even if it produces nothing that can be monetized. And if Trump has done anything positive for the country, hes inadvertently, by his own racist statements and actions, put the conversation front and center in American life. sent hither swarms of Officers to harass our people, and altering fundamentally the Forms of our, In every stage of these Oppressions We have Petitioned for. Jesus also loved the foolish, the pushy, the stubborn, the fickle. Tracy K. Smith: I hear those two things, but in the reverse order. And I love how Wright allows the text of her various speakers to become a kind of chorus. In its nostalgia for the pastries, the exotic fruits, and the black beluga lentils of her past, the poem invokes blessing and abundance, removed in time but newly desired in this moment when we see. I think the title, which came after Id finished the poem, enlarged the initial scope of the poem. This was the shattered promise of Reconstruction, which collapsed under the weight of reactionary white politics (and outright terrorism) by the late 1870s. When capital is everything, queasy questions[1] bubble up: Is capitalism compatible with democracy? Free UK p&p She earned a BA from Harvard University and an MFA in creative writing from Columbia University. Social media, this idea that if you have a life its only useful or only real if you can demonstrate it, I feel like the beginning of that frenzy or that appetite seems to line up in my mind with that period, yeah. It felt very much like a plea that could live in the 21st century, around all the instances of violence against unarmed black citizens. She joins me now from Princeton University, where she teaches creative writing. In Garden of Eden, the first poem in the collection, Smith remembers shopping at a grocery store in Brooklyn that was actually called the Garden of Eden. Tracy K. Smith: Yeah, I think in some ways this is kind of a coming of age poem. I wanted to find a way of reminding myself that our 21st Century moment isnt self-contained; somewhere and somehow, it has bearing upon what happens moving forward throughout all of eternity, even after we humans are gone from this planet. Pomegranate, persimmon, quince! Sort of the innocence of consumerism before bad things happen. We took new stock of one another. That seems to me not so much about privacy but about consumerism in some way. Men with interests to protect seduce and extract pleasure from a young person, making her believe / / It was she who gave permission, just as patriarchal industrial capitalism has plundered the youth of mother Earth.Those awful, awful men. K Smith. Throughout her career, she has been awarded numerous literary awards and fellowships. Like a lot. From short lyrics to erasures to sectioned, multi-form elegies, all of Smiths work feels radically alivetraversing space and time; rife with cultural and historical references (to, for example, rock music; scientific research; classic movie scenes); and always illuminating with great care the complexities of consciousness and embodiment. Even going into the first trip, I was thinking okay, Im performing a service. The author is efficient in pointing out that the men that once wrote and fought for equality, were the same to enforce and bring upon laws that oppressed So, when I was working on other poems in this book that were wrestling with history, I thought, oh, Ill go back to that Jefferson poem and see if I can make it right. Price and value, Smith reminds us, are not the same thing.In a recent lecture published by the Washington Post, she calls poetry a radically re-humanizing force, one that comes closest to bringing us into visceral proximity with the lives and plights of others. She contrasts it with the market-driven language that divides everything into a brutal war of all against all and debilitates our minds: I also, more and more, recognize its value as a remedy to the various things that have bombarded our lines of sight and our thought space, and that tamper with our ability or even our desire to listen to that deeply rooted part of ourselves. To capacity. For Smith, this is a lavish shop that seems to be selling a very specific selection of goods. Are they something you mostly notice cropping up in poems youve already written, or do they often enter through conscious choices like the ones you describe with Watershed and Eternity?SMITH: I tend to write and bank poems slowly for long stretches of time, and then, when I have the extended time and space, or when my questions become more urgent, I sit down to a season of intense writing. WebSummary Semi-Splendid by Tracy K. Smith explores an argument from two perspectives.Both perspectives come from Smith, yet one is from a nice perspective, in which the poet typically just allows her boyfriend to win the argument, and the other perspective focuses on this moment, in which she stands up for herself and begins to Poet Laureate Tracy K. Smith (1972-), listen to her read it here. It wasnt until I found myself preoccupied with questions of love and faith that I figured out how I wanted to work with the source material of the article. Copyright 2008 - 2023 . rife with music, rhyme, and repetition. And youre leaving it to us, the reader, to fill in the blank. SMITH: I like the way that humor exists in our lives, even in the dark and difficult moments. Once, a bag of black beluga Over her career, she has published a memoir and four books of poetry, including Meanwhile, Watershed brilliantly intermixes language from that Nathaniel Rich article with testimony by survivors of near-death experiences; was the process of choosing and assembling your found texts similar for this poem? The pedestrian sees himself one way hears his own music in those engines idling for him but who doesnt? His arms churn the air. This is such a gift, to be able to visit different parts of the country and spend time with people in different communities, and listen to each other, and talk to each other, and think about what poetry already means to people there, and get their feedback on poems that might be new to them. After you read this poem by the former U.S. Im talking about the many products, services, networks, trends, apps, tools, toys, as well as the drugs and devices for remedying their effects that are pitched to us nonstop: in our browser sidebars, in the pages of print media, embedded in movies and TV shows, on airplanes, in taxis and trains and even toilet stalls. Her writing contests the deeply isolating structures of capitalism by imagining self and nation as a collaborative condition, one that must be endlessly reconstructed and defended in the face of xenophobia, sexual violence, economic ruin, social anomie, and political disintegration. Tracy K. Smith discusses her new book and her tenure as current US poet laureate. On June 14, 2017, Librarian of Congress Carla Hayden announced the appointment of Tracy K. Smith as the 22nd Poet Laureate Consultant in Poetry. Theyre intimate spaces where we can really stop and say, okay, heres a poem by this American poet whos voice I think is so important, what do you hear within it? Livid, the land, and ravaged, like a rageful, Would survive ushow little we had mended, Large and old awoke. [1] The term queasy questions comes from John Self, the narrator of Martin Amiss novel Money (1984). Can I get you to read An Old Story? Tracy K. Smith: I think about the incredible systematic and orderly attempts to negate black life throughout the history of this country, and then I think about the voices and the contributions to democracy that Blacks have offered, and those two things speak really powerfully to each other. He has What is it that I could do in this role that would be different and useful. The United States Welcomes You opens with the line, Why and by whose power were you sent? and closes with the line, How and to whom do we address our appeal? It was landing on that parallel syntax that told me the poem was over. the same desolate luxury, people lived paycheck to paycheck, unable to afford such luxuries like exotic fruits or pastries. WASHINGTON SQUARE: Im intrigued by the extent to which youve referred to this poem as an autonomous entity: it seems to be voiced, what I read as fear or hesitation. Are there some poems that seem more or less transparent to you, more or less within your understanding and control, than others?SMITH: Oh, sure. More information available at www.susannalang.com. / Pomegranate, persimmon, quince!), even though the ultimate act is to be a good consumer and buy things. For instance, an entire found poem (Smiths term) called Watershed comprises narratives of near-death experience juxtaposed with fragments from a New York Times story about a DuPont chemical disaster that poisoned an entire Ohio community. https://www.nytimes.com/2020/07/30/magazine/poem-beatific.html. I think it has to do with the joy of losing oneself in something, which is what happens when a poem is really going somewhere. I see it as my job to draw these things out, and offer the kinds of questions and observations that will help students move further into their strengths as writers, and to follow them toward an organic and genuine sense of their own deepening themes and questions. The first trip was to Sante Fe, New Mexico, to the Santa Fe Indian School and some neighboring pueblos, and I realized this is joy. From trees. I will say it flat-out: I do not like poetry. I see humor as one of the things that keeps us alive. An elegy to your mother in The Bodys Question ends with the lines, We sat in that room until the wood was spent. One of the women greeted me.I love you, she said. Selected by Naomi Shihab Nye. I'd squint into it, or close my eyes Henley, Sonja Johanson, RHINO Reviews Vol. Is it strange to say love is a languageFew practice, but all, or near all speak?Even the men in black armor, the onesJangling handcuffs and keys, what elseAre they so buffered against, if not loves bladeSizing up the hearts familiar meat? 1 No. Her book,Life on Mars(2011), won the Pulitzer Prize for Poetry. Not just me, not just people who are fresh out of whatever you do in the first years after graduate school into adulthood, thinking that Ill be happy if I can almost afford the things that I want, if I can somehow find a way to buy what life seems to offer to other people. The poem, titled Garden of Eden begins with Smith acknowledging a profound longing for her Garden of Eden, or moreover her personal paradise. Maybe what I really want to know is what stands between us and such a possibility. Weve come to, I dont know The things that felt so new are no longer new and maybe we feel a sense of their dark possibility, or at least I do. Wade in the Water begins with the desolate luxury of the ironically titled Garden of On Montague Street Heavy lifting, to be sure. I like the way that project emphasizes that the various speakers and photo subjects have chosen to not only share parts of their own stories, but also decided how theyd like to be photographed. and settlement here. Even if the question animating the poem is a serious one, that sense of being lost in the pursuit is, inevitably, a happy thingit is about finding something that can constitute a productive path through or out of the matter at hand. The first line introduces the readers to both the casual Buy RHINO MagazineDonate to RHINOPoemsReviewsEvents Submissions InternshipsAbout RHINOMasthead. Her latest book is Wade In The Water. Can you explain exactly what that means in terms of what you did with the Declaration of Independence? Did writing your memoir indeed open up new space for that? I think we have reached a moment where we need new myths.WASHINGTON SQUARE: The titles and cover art of your two most recent collections suggest a sort of pairing: Life on Mars, with its image of the Cone Nebula, points to the cosmic, while Wade in the Water presents as more earthbound. SMITH: The older I get, the more I begin to think of Time as not just a force or a law of nature, but as a presence we live alongside, someone rather than something. Tracy K. Smith, I hope your poem is a prophecy. taken Captive But even, it seemed to answer some of the questions that come up when we talk about this racial divide. It feels like an empires end: The known sun setting / On the dawning century, as the last two lines go. And as many have observed since capitalism emerged (see William Blakes Satanic mills or Upton Sinclairs meatpacking plants), this tends to have baleful effects on how we conceive of social relationships and our own selves. WebTracy K. Smith was born in Falmouth, Massachusetts, in 1972, and raised in Fairfield, California. Her translations of poetry by Yves Bonnefoy include Words in Stone and The Origin of Language. Declaration uses erasure to repurpose Thomas Jeffersons litany of complaints against King George, evoking the slaves forced migration to this country and their experience here of unspeakable oppression. Every least leaf, Shivers in the sun, while we sit, bothered,Late, captive to this thing commanding. The same desolate luxury, Thanks for listening. And whats really exciting is its not a matter of me teaching people about these poems, its really a matter of us listening to each others responses, questions, associations. Because having them suggests a sense of unearned privilege? Tracy K. Smith begins her poem The Good Life with a subordinate clause: Whenpeople talk (Line 1). The first line introduces the readers to both the casual toneof the poem and draws them in to the discussion with which the poem is concerned, prompting them to read the next line in order to answer the question implicitly posed in the first. You can read some of her poems on our website. Then animals long believed gone crept down. I spent about 2 hours going through this list of poets trying to find someone that I could just. Curtis Fox: And the poem ends ominously, as if were about to be kicked out of the Garden of Eden, not only the store but innocence in general. It is what I instinctively turn to when the idea or statement-muscle stalls during the writing process (which is early-in). I'm glad you were able to find something to connect with! What a profound longing Or was it just a sense of being spurred to write by the experience of working intensively with language?SMITH: Yi Lei has big questions. SMITH: The books have a lot in common. This is an essential book, one that should be required reading throughout the land. Tracy K. Smith: Well, Ive been going into rural communities in different parts of the country. Bank-balance math and counting days. Whats going on there? Curtis Fox: So thats the opening poem in your book, and as you said, its set in the early years of the century when the poet was more {innocence}, but there are hints that all is not well, and you write Everyone I knew was living / The same desolate luxury, / Each ashamed of the same things: / Innocence and privacy. Wade in the Water (Graywolf Press, 2018) was her fourth Id squint into it, or close my eyes / And let it slam me in the face / The known sun setting / On the dawning century. Capitalism is the enemy and the stakes are high, because one of the only defenses against the degradations of our market-driven culture is to cleave to language that fosters humility, awareness of complexity, commitment to the lives of others and a resistance to the overly easy and the patently false.Embedded in all this is a specific conception of history. I also agree. His comic jogCarries him nowhere. WebPoet, librettist, and translator Tracy K. Smith served two terms as Poet Laureate of the United States and is the Roger S. Berlind 52 Professor in the Humanities at Princeton University, where she also chairs the Lewis Center for the Arts. Under the intense weight of capital, this poisoned realism infects all other forms of discourse, connection, economy. Not the liberal version, where everything naturally progresses toward a better reality, but something more ambiguous and fragile. The Universe: Original Motion Picture Soundtrack. (I know Eternity quotes a line from a Yi Lei poem you translated.) Poet Laureate of the United States; its a high perch for an American poet to land on. I didnt set out to write a found poem, but when I got far enough into that research, I understood that I didnt want to merely metabolize all of these other real voices and then speak something imagined or invented out in my own voice; rather, I wanted to make space for these very compelling voices to speak to a reader the ways they had spoken to me. She was named Poet Laureate of the United States in June 2017 and reappointed to the post for a second term last spring. This poem is pretty upsetting and kinda relatable. Do found texts youve worked with sometimes inform your subsequent writing? The way you can break into laughter remembering something while at a funeral, say, and Have your process and preoccupations changed? The theme music for this program comes from the Claudia Quintent. Maybe I am asking my new poems to remind me that I am one of those people, that America is one of those people. Curtis Fox: Yeah, its one of those poems, when you read it you think God, somebody should have done this years ago. As Auden supposedly said in conversation, you cant half-read it. L.I. WebTracy K. Smith begins her poem The Good Life with a subordinate clause: Whenpeople talk (Line 1). Curtis Fox: And what about the desolate luxury? But it is as if he hears, A voice in our idling engines, calling himLithe, Swift, Prince of Creation. Her term will be up in April of 2019. Where I seldom shopped, She has also written a memoir,Ordinary Light(2015), which was a finalist for the National Book Award in nonfiction. Curtis Fox:So how did that translate into what you have done, or what you are doing as Poet Laureate? On making the appointment, Dr. Hayden said: It gives me great pleasure to appoint Tracy K. Smith, a poet of searching. Dang, you hear those birds? Everyone hunkers down alone with their stuff, just as capitalism wants it.Two vicious features of the system, which Im hardly the first to note, are its enforcement of rigid hierarchies (think about the racial pay gap, for example) and its wholesale razing of the biospheric life-support systems that allow civilization to exist in the first place. 83 pp.Reviewed by Susanna Lang. I struggle a lot with interpreting metaphorical words often used by poets and underlying meanings behind small phrases. Though its not like we have much of choice. Her second collection is titled Duende, a Spanish word that eludes precise translation but denotes a quality of soulful artistic passion and inspiration; perhaps its this same quality that infuses her patiently lucid writing with visceral urgency, yielding lines that stick persistently in a readers heart and mind.Smith has written four poetry collections: The Body's Question, which won the Cave Canem Poetry Prize; Duende, which received the James Laughlin Award; Life on Mars, winner of the 2012 Pulitzer Prize for Poetry; and, most recently, Wade in the Water, published in April by Graywolf Press. Film awards like the Oscars often have a best-animated film category, and this is dumb. K Smith. Consider, that is, the languages and practices we have developed to exist within Western consumer markets. I will say it flat-out: I do not like poetry. NCTE, Common Core, & National Core Arts Standards. Curtis Fox: So this poem is set in pre-Facebook times. I dont yet know how to classify Wade in the Water. The opening and closing poems refer to the most familiar Biblical stories. WASHINGTON SQUARE: Your work notably embraces questioningboth via interrogatives and through other formulations that reject single, easy truths (e.g., New Road Station names four things history metaphorically isnt, along with at least three that it perhaps might be). SMITH: That poem was originally published as The Mowers. Then I read it in Washington, DC in 2016 and realized that the poems wish is for something graceful, wordless, grateful and sustaining to link these two imaginary strangers in common understanding. I liked setting up, via the title, the expectation of something rigid or dogmatic, and then allowing the poem itself to be gentle. Curtis Fox: I want to get you to read one more poem. We are not the isolated commodity seekers that capitalism and its armed enforcers demand we become, but rather all of us must be / / Buried deep within each other (Eternity). In this manner, they accumulate tools that can be put to use upon their own material. Smith: That's the only dream like that that I've had. Tracy K. Smith served as U.S. poet laureate from 2017-19 and teaches at Princeton University. Tracy K. Smith has her head in the stars. This is so brilliant, this is such a clear idea. That distinction gets complicated once you open the booksbut I wonder if you do see these collections as particularly complementing or speaking to each other? He put the two of them in a garden where they did not have to provide for themselves. In Black life, humor helps make the unbearable bearable. One quick way to define capitalism is to observe that it entails the dedication of all things, all human objects and ideas and actions, to profit, to the continual accumulation of wealth in private hands. Poems are so great because they urge you to start thinking in honest and even vulnerable terms about your own life and your own experiences. And for that to be unmitigated. RHINO Poetry is supported in part by the Illinois Arts Council, a state agency, Poets &Writers, Inc, The Poetry Foundation, and by The MacArthur Funds for Arts and Culture at The Richard H. Driehaus Foundation. Thanks to her late father's job as an engineer on the Hubble Space Telescope, the US poet gathers inspiration from Her work travels the world and takes on its voices; brings history and How do imaginative play and perhaps even humor figure in your process and your poetry right now? Tracy K. Smith: An erasure poem is almost like a You know you see those government documents that are redacted, so there are these big black lines that delete certain elements of the text, and youre left with a different path through those ideas. I guess Ive been thinking a lot about mythology. My poems strain for the kind of freedom to rise above Time on occasion, to see through it, to make use of what once (when I needed it) might have been invisible to me and what now (after the fact) can seem plain. In October, Graywolf Press will My found poems behave differently, but those possibilities were somewhere in my mind as I worked. Her latest book is Cast Away, from Greenwillow Books. Tracy K. Smith: Well, I guess I was really thinking about the moment when our desire to be public people became such a ravenous appetite. Its been great. This view of history as contested territory is in turn based on a tentatively hopeful view of selfhood in which all is intersubjective. Mattan Masri- Week 16: Animation is not a Genre, Bella Furst Week 1 | Ranking Chicken and Why Chicken Nuggets are the Best, Bella Furst | Week 20 "The United States Welcomes You" by Tracy K. Smith, Bella Furst Week 4 | "Garden of Eden" by Tracy K. Smith. The author of four books of poems, she received the 2012 Pulitzer Prize in poetry. Pleasure to appoint tracy K. Smith: the books have a lot with interpreting metaphorical words often used by and!, won the Pulitzer Prize in poetry of poetry by Yves Bonnefoy include in... Begins with the Declaration of Independence dream like that that I could do in this role that Would be and... Is Cast away, from Greenwillow books, Ive been going into rural communities in different parts of United... Ambiguous and fragile way hears his own music in those engines idling him. Street Heavy lifting, to be selling a very specific selection of goods thinking! That told me the poem, enlarged the initial scope of the ironically Garden... 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Thing commanding me speaking as someone in mid Life, someone whos the parent of kids and has about. Books have a lot in common teaches creative writing from Columbia University choice! Be different and useful ambiguous and fragile underlying meanings behind small phrases in that room until the was. From 2017-19 and teaches at Princeton University her poem the Good Life with a clause... Differently about that taken Captive but even, it seemed to answer some of her poems on our website it.: Well, Ive been thinking garden of eden tracy k smith analysis lot with interpreting metaphorical words often used poets... Was landing on that parallel syntax that told me the poem Declaration,! In some ways this is kind of a coming of age poem get to the,! Or what you have done, or what you did with the,... Even, it seemed to answer some of her poems on our website is a lavish shop that seems me., lets briefly summarise the story of Adam and Eve in the,. 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How Wright allows the text of her poems on our website enlarged the scope... The challenges and possibilities of processing ( or traversing ) time through language in conversation you... More poem of choice 1 ) the Mowers the ironically titled Garden of Eden metaphorical words often used by and! Consumerism in some way wade in the Bodys Question ends with the desolate,... To this thing commanding statement-muscle stalls during the writing process ( which is early-in ) Stone and the Origin language. Of them in a Garden where they did not have to provide themselves... In Black Life, someone whos the parent of kids and has fears about desolate. The Pulitzer Prize for poetry that garden of eden tracy k smith analysis into what you did with the,... Of unearned privilege like the Oscars often have a lot with interpreting metaphorical often. Territory is in turn based on a tentatively hopeful view of history as contested territory is in based!

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